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- W2499245004 abstract "I begin with three sociological accounts of art. Each springs from an influential sociological approach and is reasonably representative of that approach. The works providing these accounts are: Howard Becker’s Art Worlds (1982), Janet Wolff’s The Social Production of Art (1981) and Aesthetics and the Sociology of Art (1983), and Peter Burgers Theory of the Avant-Garde (1984). The theoretical approaches from which the accounts derive are respectively: symbolic interactionism, Marxism, and critical theory. There are, of course, other sociological approaches, and I do not intend to offer a comprehensive survey of extant sociologies of art. However, I will argue that these works raise certain characteristic or symptomatic1 issues for a sociology of art per se." @default.
- W2499245004 created "2016-08-23" @default.
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- W2499245004 date "1997-01-01" @default.
- W2499245004 modified "2023-09-23" @default.
- W2499245004 title "Art’s World and the Social World" @default.
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- W2499245004 doi "https://doi.org/10.1007/978-1-349-25929-8_2" @default.
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