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- W100536442 abstract "Charles Mingus was a icon who helped to redefine the barriers that were inherent for those whose artistic expression was labeled jazz. He was a master bassist in an expressive style that was forced to fight and claw its way to respectability; he crafted challenging and emotional performances in venues where the ring of the cash register competed with his music during performances; and he developed musical techniques that had an immediate impact on American music, though he was never invited to fill any academic post. These contradictions are all brought together in light of his status as a icon. The term jazz represents a paradox because it is the word used to represent a musical style developed in the United States and closely, but not exclusively, tied to the African-American experience. This experience represents triumph, but it also represents many things that were painful and humiliating to all Americans. Any serious study of must visit this paradox. Charles Mingus and the Paradoxical Aspects of Race as Reflected in His Life and Music examines these aspects of the history of using specific parts of Mingus's life and by analyzing and comparing some of his works. This dissertation will also examine the social pressures under which Mingus lived and that gave his work direction, and how this direction was expressed in his work." @default.
- W100536442 created "2016-06-24" @default.
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- W100536442 date "2007-06-21" @default.
- W100536442 modified "2023-09-23" @default.
- W100536442 title "Charles Mingus and the paradoxical aspects of race as reflected in his life and music" @default.
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