FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W1006501362> ?p ?o ?g. }

• W1006501362 abstract "tremendous force of analogy, with which Henry aims achievedconfrontation of fissured aspects of personality and of culturein the depths of the house, of the past, of that mystical otherworld that might have flourished, is conspicuous in the poetryof Edwin Arlington Robinson. It is more than the mere dynamicof image-making, which characterises much poetry of the presentage. It is infused in Robinson's attitude to life, hispsychological realism, his implied values, and his primarysymbols. Like the sailor in Lost Anchors, the poet made ofhis 'legend' 'a manifest Analogy.' (p.578)The Robinsonian Analogy is predominantly psychologicalstructure proportioned according to the poet's main interest -human nature - and essential aim - inferential disclosure ofinner realities. It is dark in which the occupantslive and die psychic lives and psychic deaths. It is not unlikeJames' house on the jolly corner, the archetypal analogy ofman and of which Spencer Brydon, the central character inThe jolly Corner, becomes so acutely aware in the time of hisspiritual crisis: The quaint analogy quite hauntingly remained with him,when he didn't indeed rather improve it by stillintenser form : that of his opening door behind whichhe would have made sure of finding nothing, door intoa room shuttered and void, and yet so coming, with agreat suppressed start, on some quite erect confrontingpresence, something planted in the middle of the placeand facing him through the dusk.The symbolism and the alter-ego situation depictedin The jolly Corner are comparable to Robinsan's poeticpostulates, the significance of which are more clearly perceivedin terms of psychological analogies.Psychoanalysis has drawn attention to the ontogenetic andphylogenetic significance of symbolism. James and Robinsonfound the symbol to be convenient means of expressing psychicdilemma and of depicting, in plausible images, aspects of theunconscious life. A man wanders through the darkness of hishouse, opening and closing mortal', 'inner', 'wrong' or 'forgotten'doors (as the poet variously describes them), in quest of identity,in search of his soul. 'This treacherous and imperfect houseof man' (p.1028), the poet describes him on one occasion. Hemay be, like Brydon, on the threshold of self—realisation or,like Avon in Avon' s Harvest, on the edge of doom. He may, likeNightingale in Glory of the Nightingales, erect pretentiousmansion on foundation of evil and guilt ; or, like Bartholowin Roman Bartholow, finally escape his 'ancestral prison'. Mere are still some gods to please,And houses are built without hands, we're told. (p.48)Penn-Raven tells Bartholow that his dreams have taken himfar from home (p.819) ; gives the example of man, whoSure that his that was not made with handsWas built forever, was too sure to see; (p.820)and later observes that Negation is careless architect. (p.826)Matthias heeds similar warnings of his own inner voice,actually projection phantasy, and at the end prepares torestore the 'tower' of 'self'. Be learns, like Brydon, that:the development of personality moans more than the mere fearof bringing monsters into the world, or the fear of isolation.It also means fidelity to the law of one's being.The more mature of Robinson 's characters share Brydonlspsychologically prodigious journey and experience a sensationmore complex than had ever before found itself consistent withsanity, while the more unhappy representatives of humanpsychology, of whom Avon is the most conclusive example, aredestroyed in the of personality...the stranger, whoever he might be, evil, odious, blatant,vulgar, had advanced as for aggression, and he knewhimself give ground.. Then harder pressed still, sickwith the force of his shock, and falling back as under thehot breath and the roused passion of life largerthan his own, rage of personality before whichhis own collapsed, he felt the whole visionturn to darkness and his very feet give way. vision turned to darkness, the struggle upward for thelight, in the 'buried' rooms of the dark ... such isthe psychology, such the parable, such the 'manifest Analogy',of Edwin Arlington Robinson's poetry." @default.
• W1006501362 created "2016-06-24" @default.
• W1006501362 creator A5044995621 @default.
• W1006501362 date "1961-01-01" @default.
• W1006501362 modified "2023-09-24" @default.
• W1006501362 title "The dark house of E.A. Robinson : psychological themes in the poetry of Edwin Arlington Robinson." @default.
• W1006501362 hasPublicationYear "1961" @default.
• W1006501362 type Work @default.
• W1006501362 sameAs 1006501362 @default.
• W1006501362 citedByCount "0" @default.
• W1006501362 crossrefType "dissertation" @default.
• W1006501362 hasAuthorship W1006501362A5044995621 @default.
• W1006501362 hasConcept C111472728 @default.
• W1006501362 hasConcept C11171543 @default.
• W1006501362 hasConcept C124952713 @default.
• W1006501362 hasConcept C138885662 @default.
• W1006501362 hasConcept C142362112 @default.
• W1006501362 hasConcept C142724271 @default.
• W1006501362 hasConcept C15744967 @default.
• W1006501362 hasConcept C164913051 @default.
• W1006501362 hasConcept C169081014 @default.
• W1006501362 hasConcept C204787440 @default.
• W1006501362 hasConcept C2780456611 @default.
• W1006501362 hasConcept C52119013 @default.
• W1006501362 hasConcept C521332185 @default.
• W1006501362 hasConcept C71924100 @default.
• W1006501362 hasConcept C9180747 @default.
• W1006501362 hasConceptScore W1006501362C111472728 @default.
• W1006501362 hasConceptScore W1006501362C11171543 @default.
• W1006501362 hasConceptScore W1006501362C124952713 @default.
• W1006501362 hasConceptScore W1006501362C138885662 @default.
• W1006501362 hasConceptScore W1006501362C142362112 @default.
• W1006501362 hasConceptScore W1006501362C142724271 @default.
• W1006501362 hasConceptScore W1006501362C15744967 @default.
• W1006501362 hasConceptScore W1006501362C164913051 @default.
• W1006501362 hasConceptScore W1006501362C169081014 @default.
• W1006501362 hasConceptScore W1006501362C204787440 @default.
• W1006501362 hasConceptScore W1006501362C2780456611 @default.
• W1006501362 hasConceptScore W1006501362C52119013 @default.
• W1006501362 hasConceptScore W1006501362C521332185 @default.
• W1006501362 hasConceptScore W1006501362C71924100 @default.
• W1006501362 hasConceptScore W1006501362C9180747 @default.
• W1006501362 hasLocation W10065013621 @default.
• W1006501362 hasOpenAccess W1006501362 @default.
• W1006501362 hasPrimaryLocation W10065013621 @default.
• W1006501362 hasRelatedWork W171604812 @default.
• W1006501362 hasRelatedWork W1969668749 @default.
• W1006501362 hasRelatedWork W1973337545 @default.
• W1006501362 hasRelatedWork W1976607071 @default.
• W1006501362 hasRelatedWork W2008965327 @default.
• W1006501362 hasRelatedWork W2017473758 @default.
• W1006501362 hasRelatedWork W2046184811 @default.
• W1006501362 hasRelatedWork W2090661036 @default.
• W1006501362 hasRelatedWork W2328329676 @default.
• W1006501362 hasRelatedWork W2339444351 @default.
• W1006501362 hasRelatedWork W2341947135 @default.
• W1006501362 hasRelatedWork W2403478196 @default.
• W1006501362 hasRelatedWork W240736440 @default.
• W1006501362 hasRelatedWork W326071547 @default.
• W1006501362 hasRelatedWork W346077750 @default.
• W1006501362 hasRelatedWork W35488134 @default.
• W1006501362 hasRelatedWork W656109821 @default.
• W1006501362 hasRelatedWork W765469999 @default.
• W1006501362 hasRelatedWork W861826638 @default.
• W1006501362 hasRelatedWork W188048700 @default.
• W1006501362 isParatext "false" @default.
• W1006501362 isRetracted "false" @default.
• W1006501362 magId "1006501362" @default.
• W1006501362 workType "dissertation" @default.