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- W1014680632 abstract "In poetry of Mar?a Victoria Atencia (M?laga, Spain 1931) a cast of female personae culled from literary and cultural sources, names like Eve, Ophelia and Paolina de Borghese, calls attention to gender.2 Often these referents, primarily from nineteenthand twen tieth-century paintings and sculptures, serve as textual matrix, and such female-figure poems are focus of this paper.3Teresa De Lau retis' recognition that in Western culture image of woman is starting point for any understanding of sexual difference and for construction of social subjects illuminates magnitude of cul tural re-vision that Spanish poet undertakes in her ekphrastic poems (37-38). De Lauretis' distinction between woman and women further clarifies significance of Atencia's poetic venture. Woman refers to the other-from-man (nature and Mother, site of sexuality and masculine desire, sign and object of men's social exchange) and women to real historical beings (5). It is precisely lack of coin cidence between women as historical subjects and woman as product of hegemonic discourses that Atencia addresses." @default.
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- W1014680632 date "1999-01-01" @default.
- W1014680632 modified "2023-09-28" @default.
- W1014680632 title "Masks of Canvas and Stone in the Poetry of María Victoria Atencia" @default.
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