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- W104644646 abstract "Miriam Hansen describes a shot in Intolerance where an aging woman, neglected at a ball, looks into a mirror that reflects back not her image but a darkened abstraction. Central to cinema studies are the questions of what Miss Jenkins sees in the mirror, how the director uses it in relation to his larger story, what it means to those people who glanced for a moment at this sign amidst a welter of others, and what social meaning can be derived from its incorporation and reception in the film? Historical analysis never reproduces what happened, but requires that we, like Alice, step through the lookingglass of fact into a narration that both approximates and distorts reality. The youthfulness of film studies raises major issues of interest to historians of more traditional subjects and freshens one's sense that the fact of Miss Jenkins's mirror, like all other historical data, may be explored comparatively deeply or fully or suggestively, but that even the richest answer is seen through the glass darkly. These books offer intelligent explorations of very different aspects of the vibrant early years of American film. Charles Musser constructs a telling business history around the career of Lyman Howe, an entrepreneur who successfully negotiated shifting strategies of profit from the new entertainment technology. Hansen's is a more generalizing account that ambitiously attempts to define film's public discourse during the period by establishing a developmental typology for the early years, analyzing D. W. Griffith's Intolerance, and discussing Rudolph Valentino's films related to a new female subculture of viewers. Both authors have substantial theoretical awareness that at once enhances and encumbers their contributions." @default.
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- W104644646 date "1993-03-01" @default.
- W104644646 modified "2023-09-27" @default.
- W104644646 title "Through the Looking-Glass of Film" @default.
- W104644646 doi "https://doi.org/10.2307/2702955" @default.
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