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- W107955409 abstract "least since Aristotle identified three modes of artistic proof (pistis), scholars have assumed that ethos, pathos, and logos-usually translated as character, emotion, and reason-are three very different elements with which rhetors compose a speech or text. Certainly, scholars have portrayed the three as interrelated: William Grimaldi, for instance, sees logos as the whole in which ethos and pathos, along withpragma (subject matter), are the parts; Antoine Braet, as well as Andrea Lunsford and Lisa Ede, sees ethos, pathos, and logos as being unified in their common presentation through the enthymeme; Martha Nussbaum sees Aristotle's pathos as being linked to both cognition and desire, thus joining logos with ethos, and much contemporary cognitive psychology agrees with her; Susan McLeod, similarly, acknowledges that feel as well as think when we write and agrees with Piaget (among others) that At no level, at no state, even in the adult, can we find a behavior or state without a cognitive element involved (qtd. in Derry and Murphy). Yet, through out all the scholarship, the assumption seems to be that the associations among thought, emotion, and ethics are merely coincidental-much as one might assume that a car's color, shape, and material are coinciden tal-and that one might well alter an argument's ethical appeal without affecting its rational or emotional appeal-just as one might alter a car's color without affecting its shape or material. What I am proposing is very different: discourse is a unitary process that can be analyzed into (at least) three phases-cognition, ethical apperception, and emotion-that roughly correspond to the classical proofs of logos, ethos, and pathos. We can think of ethical apperception" @default.
- W107955409 created "2016-06-24" @default.
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- W107955409 date "2005-01-01" @default.
- W107955409 modified "2023-09-26" @default.
- W107955409 title "On the Very Idea of Composition: Modes of Persuasion or Phases of Discourse?" @default.
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