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- W112407798 abstract "Opera in Poland before 1830 utilized themes drawn from history, myth and legend and paralleled the rising interest on the part of Warsaw intellectuals in musical settings of contemporary Polish texts. The theorist and composer, Jozef Eisner (1769-1854), who taught Fryderyk Chopin (1810-1849) at the Warsaw Conservatory in 1826, provided the conceptual framework for a musical aesthetic based on speech and text that largely defined Polish opera in the first third of the nineteenth century. Eisner composed approximately thirty-six operas and melodramas, in addition to incidental music for stage works, including ballets, choruses andentre'actes. Several nineteenth century portraits of the composer attest to his renown. From 1792, when Eisner was twenty-three years old, until 1831, when he was sixty-two, he was associated with leading cultural institutions in Poland. He studied medicine in Vienna before accepting a post in 1792 as conductor of the opera orchestra of the Lwow National Theater. Eisner did not serve under royal patronage, despite the shared musical culture between the courts in Warsaw and St. Petersburg. Several of his contemporaries, for example, served all, or a portion, of their careers under patronage, namely, Maria Szymanowska (1789-1831), Count Michal Kleofas Ogihski (1765-1833) and Jozef Kozlowski (1757-1831), whose music Tchaikovsky quoted in his opera, Pikovaia dama [The Queen of Spades] (1890). Eisner was primarily responsible for the creation of a national opera in Poland before 1830 and accomplished his aims in four significant ways: 1. composition, 2. advocacy of the contemporary repertoire, 3. scholarly publication, and 4. institution building. Further, Eisner's incorporation of Polish national dances in his operas affirmed cultural ties with the folk, rather than the court, and paralleled similar developments in the visual arts. Even more important, perhaps, Eisner who did not serve under royal patronage, provided the theoretical framework for a musical aesthetic based on text and language that redefined Polish opera before 1800. To be sure, composers such" @default.
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- W112407798 date "2016-01-01" @default.
- W112407798 modified "2023-10-03" @default.
- W112407798 title "ELSNER AND THE FLOURISHING OF OPERA IN POLAND BEFORE 1830" @default.
- W112407798 hasPublicationYear "2016" @default.
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