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- W119919319 abstract "“How Cinematography Contributes to Meaning in Happy Together” is a chapter in 'Style and Meaning – Studies in the Detailed Analysis of Film', a book edited by John Gibbs and Doug Pye. Other contributors included noted film theorists V.F. Perkins, George M. Wilson, Deborah Thomas, Andrew Klevan, and Laura Mulvey.The edited volume sought to establish the parameters of an innovative approach to film studies that would bring to the fore questions of value, meaning and interpretation, critical categories that have, for a long time, been relegated to the sidelines within cinematic discourse. The vehicle through which the book achieves this objective is a methodological approach designated “close analysis”. The researcher’s chapter demonstrated that close analysis could be productively applied not just to editing or the direction of actors but to cinematography itself, understood as lighting, framing and composition and the representation of movement and rest through the camera.The film chosen, Happy Together, is a key text within the emerging New Asian Cinema and the researcher was able to draw upon two primary interviews, conducted by herself, with the director’s long-standing collaborator, director of photography, Chris Doyle. The particular aesthetic adopted by the film required the author to connect issues relating to cinematography to the role of music and choreography in the establishment of style and meaning in the film’s constructed world. The dynamic inter-relations between these various components were critically explored through focused and detailed “sequence analysis”." @default.
- W119919319 created "2016-06-24" @default.
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- W119919319 date "2005-01-01" @default.
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- W119919319 title "How Cinematography Creates Meaning in Happy Together (Wong Kar-Wai, 1997)" @default.
- W119919319 hasPublicationYear "2005" @default.
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