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- W123238243 abstract "Of these eight authors at least five seem to have read Barthes, who wrote, can say that the critical task is purely formal, not to 'discover' in the work or the author something 'hidden,' 'profound,' 'secret' which hitherto passed unnoticed (by what miracle? Are we perspicacious than our predecessors?), but only to adjust the language his period affords him (existentialism, Marxism, psychoanalysis) to the language, i.e., the formal system of logical constraints elaborated by the author according to his own period. If this is what the critical task should be a number of these authors have fulfilled it. Forms from struc? turalism, phenomenology, or semiotics are funnels through which they pour us old wine that to this reader has already turned a bit sour. But to the reader who does not accept Barthes's definition of what a critic should do with the authors' works under enquiry these books leave a lot to be desired. In the case of James we can say we are more per? spicacious than our predecessors. The letters of James are being published; a fine bibliography is available, a five-volume life that docu? ments the many relationships James had with his family, friends, and fel? low writers, a name, title and place index to the critical writings?these are available for scholarly perusal. One now has tools to investigate the text of James's oeuvre and to relate that work to the world it was part of. Concordances of Shakespeare, Tennyson, and Milton are there to be checked in relation to James's incorporation of their work into his. His interest in the inclusion of art in his work can be interpreted by a grow? ing scholarship of art which makes many of the pictures he saw available to the student. With so much material at hand, what do we get?" @default.
- W123238243 created "2016-06-24" @default.
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- W123238243 date "2016-01-01" @default.
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- W123238243 title "EIGHT WAYS OF LOOKING AT JAMES" @default.
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