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• W129295638 abstract "*2/jhen does begin and when does it end? The word does not necessarily rt/ refer to movement that commenced or ended. It can also allude to new form of artistic expression that solicited at given moment critic and/or listener's consciousness. In his essays on Constantin Guys and Richard Wagner, Baudelaire associated term with what he named the In art, as in life, poet's aim was to distill immutable from fugitive: tirer l'eternel du transitoire. According to this vision, has no beginning; it refers to ephemeral, contingent, half of art whose other half is eternal. The second part of question regarding of modernity proves to be as problematic as uncovering its beginning. Does passage from to postmodern mark rupture or continuity? Investigating emergence and/or downfall of modern, one is confronted with various connotations word can have. First, from historical point of view, Renaissance, Descartes, lumieres and/or second half of nineteenth century could all mark in France its commencement. Each author from any of these periods however, envisaged its manifestation differently: for some, age exemplified movement toward subjectivity and away from objective knowledge; for others, it implied recognition of fragmented reality and discontinued narrative. Second, from different perspective, term modern can, on one hand, be ascribed to phenomenological experience (Baudelaire's) or, on other hand, to an epistemological framework (a period of history). Third, signification of word that etymological ly derived from Latin modo may take yet on different meaning: from philosophical or political perspective, alluded to development that occurred in eighteenth century while modernism referred to aesthetic and artistic movement that emerged in second half of nineteenth century. Last but not least, if modo indicated temporal now in Middle-Ages, modern, as understood in late nineteenth century and beyond, had very different implications: to be a la mode or modern in latter period of history implied that adopted ideas or fashion no longer needed to be justified by norms that had been set in past traditions (Hassan 1993, 149) Taking into consideration these differences, it becomes evident that to pinpoint moment in history that would constitute beginning or an end of era is problematic. For example, modernity may be said to occur when truth is no longer subservient to universal order, even though it is still knowable by way of subject's perception; whereas in different way, it may also refer to questioning and ultimately negating of selfs experience. This paradox reveals continuous displacement of meaning of term modern, and of relation between human order and contingency, coherence and discontinuity. As challenging or even impossible to define, [also] suffers [in its own way], from certain semantic instability [since] no clear consensus about its meaning exists among scholars (Hassan 1993, 149). This must furthermore be understood in light of fact that postmodernism rejects any systematic, totalizing and/or encyclopedic knowledge, any accurate definition and/or coherent set of positions that would clearly be defined historically." @default.
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• W129295638 date "2005-01-01" @default.
• W129295638 modified "2023-09-23" @default.
• W129295638 title "Rethinking the 'postmodern' impediment: Variations on French Letters from Descartes to Derrida" @default.
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