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- W129573248 abstract "Abstract Art in Western civilization has become a commodity that is fixed to walls and viewed through the eyes. In fact, most museums and galleries post Do not touch signs dissuading audiences from partaking in anything but the visual aspects of art. Yet art production is something that is inherently tactile; it involves engaging with art media such as paint and brush or clay that is molded by the human hand. Compounded by the Do not touch attitude is the taboo in society that draws people away from sensuality, especially touch. Yet touch is a natural way of exploring the world and, according to many researchers, a natural and important way of exploring art as well. There are many historical examples of art that have tactile components, for example, relief on Egyptian stone tablets and brush-stroked textures on a Mondrian painting. Even so, these are typically intended for visual-centric audiences and are not necessarily designed or intended to be touched. Yet, another story exists, which is the development of tactile representations of maps, artwork, and other materials for people who are visually impaired.3" @default.
- W129573248 created "2016-06-24" @default.
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- W129573248 date "2014-05-01" @default.
- W129573248 modified "2023-09-26" @default.
- W129573248 title "On the Quest for Better Communication through Tactile Images" @default.
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- W129573248 doi "https://doi.org/10.5406/jaesteduc.48.2.0105" @default.
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