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- W136932030 abstract "The Method is possibly the most important question in the Renaissance arts, literature and philosophy. The ‘way’ of knowledge, ‘how’ something can be understood, written, painted or even drawn, appears side by side with a concept of subjectivity founded in mathematics and geometry (Cartesian subject and method), or, on the other hand, what it holds to be the reverse of that which was agreed to be called, since that time, the very science itself, the scope of the ‘occult sciences,’ that seems to be held up by the melancholic subjectivity which comes up in the Renaissance as a result of its decentralization, faced with the heliocentric hypothesis that can be interpreted as God’s abandonment, leading to the assertion of the Self in Descartes’ and Montaigne’s philosophies. The question of melancholy is exhaustively considered by Robert Burton in his Anatomy of Melancholy, by a ‘melancholic method.’ If it is possible in contemporary philosophies to understand the method as a deviation, instead of as a straight path achieved through a determinate and bounded reason – the ‘modern reason’ – we get, in Burton, the method as an attempt to show, to explain, to overcome or avoid that deviation. Anatomy of Melancholy is a dissection of what can be called Saturn’s body, as the body can be considered the devoured moment of modern subjectivity in favor of Reasoning." @default.
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- W136932030 date "2003-01-01" @default.
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- W136932030 title "Saturn's body: melancholy and method in the Anatomy of Melancholy" @default.
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