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- W143242511 abstract "The cognitive approach in my paper Rhyme and Cognitive has been criticised from point of view of historical poetics. This paper enumerates points of criticism and answers them. The following paragraph sums up my position in answer to that criticism: Cognitive Poetics uses quantitative investigations to establish regularities, makes a sustained effort to ascertain what the specific effects of poetry are, through introspection, in controlled experiments in psychological laboratory, by considering statements of professional critics in their published writings, or by collecting casual reports of students in classroom. It offers hypotheses drawn from various branches of cognitive science to relate, systematically, poetic effects to poetic structures with which they have been regularly associated. By same token, it helps further to refine formulation of perceived affects collected in a variety of ways from a variety of respondents. Far from relying a reader 'in general,' or on a modern (and sometimes unsophisticated) reader, it helps to break up a homogeneous past into a multiplicity of related attitudes, but avoiding scepticism, idiosyncrasy, or chaos. While historical approach encountered here based not so much on insight and intuition as on wide quantitative analyses of observable facts, Cognitive Poetics assumes that readers of past ages had insights and intuitions, no less than presentday readers; that to understand such insights and intuitions one must study responses of living readers, and then try to find out in what respects can responses of readers in past be supposed to differ from responses of present-day readers; and that to abandon such inquiries is too high a price to pay for scientific objectivity." @default.
- W143242511 created "2016-06-24" @default.
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- W143242511 date "1996-01-01" @default.
- W143242511 modified "2023-09-27" @default.
- W143242511 title "Postscript to Rhyme and Cognitive Poetics" @default.
- W143242511 hasPublicationYear "1996" @default.
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