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- W144390596 abstract "Martin Creed conducting an ‘orchestra’ playing one note; Hayley Newman staging a choir that smokes cigarettes; and Anri Sala, so captivated by the detuned clash of two contrasting musical pieces on a radio, that he recreates it as a video performance in a gallery. Each of these pieces by contemporary artists not only reference sound as their basic material, but also question the social context, collective activity, and assumptions that surround the performance of those sounds. How do we differentiate these performance-based works from those of the 1960s and 1970s? And what is at stake when works become purely – or rather impurely – interdisciplinary? These are some of the questions that this chapter will raise and attempt at least some provisional answers. Needless to say, it will be necessary to view recent practices through the lens of both philosophical and historical debates in order to get some way to approaching those questions. Attempting a cross-disciplinary discussion is rife with its own problems, as in the ‘and’ of the title. It is one thing to put these two disciplines next to each other, but what does this ‘and’ signify: Cross-fertilization? Influence? Correspondence? Juxtaposition? Interpenetration? Obviously there are many different ways of reading this ‘and’: each will be relevant here, as will the issue of approaching a working definition of the ‘experimental’ common to both music and art. A good deal of contemporary art embraces material other than the visual – sound being just one amongst many – so much so that there have been numerous cries against this turn toward the ‘anti-visual’ as it has been labelled.1 Composers too have made use of collaborations with film, video, as well as performance art, sound or visual installations. Whether all this cross-disciplinary activity can still be called ‘experimental’ is a moot point. These ‘experiments’ have been with us now for half a century, and paradoxically, the ‘experimental’ is now a known tradition, and one" @default.
- W144390596 created "2016-06-24" @default.
- W144390596 creator A5031718411 @default.
- W144390596 date "2009-09-16" @default.
- W144390596 modified "2023-09-23" @default.
- W144390596 title "‘We have Eyes as well as Ears …’: Experimental Music and the Visual Arts" @default.
- W144390596 doi "https://doi.org/10.4324/9781315172347.ch9" @default.
- W144390596 hasPublicationYear "2009" @default.
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