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- W144897876 abstract "Although the poetry of W. B. Yeats has long been associated with the imagery and ideals of French symbolism, it is assumed that Yeats turns away from symbolism in the twentieth century and endorses a more public, if still hermetic, model of poetry. While this story may be true for Yeats's poetic imagery, Yeats continues to draw upon symbolist techniques of poetic decomposition, even where such techniques seem not to be in evidence. Comparing two famous swan poems -Mallarme's Le vierge, le vivace, et le bel aujourd'hui and Yeats's The Wild Swans at Coole- this paper argues that Yeats continues to draw upon symbolist methods even after he claims to have rejected them. Both poems generate a tension between the represented scene described by the lyric voice and the linguistic or allegorical resonances of the poem's language. And in both poems this tension works to decompose the scene. Where Mallarme effects this decomposition through the material qualities of his language, Yeats presents a landscape that can be read both mimetically (as a place the poet sees) and allegorically (as an embodiment of a system of symbolic correspondences)." @default.
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- W144897876 date "1999-01-01" @default.
- W144897876 modified "2023-09-23" @default.
- W144897876 title "Is there a swan in this poem?: yeast and symbolist poetics" @default.
- W144897876 hasPublicationYear "1999" @default.
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