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- W1455112488 abstract "An important feature of the evolution of Japanese art after 1868 was the contest between the claim of validity made for artistic self-expression and the assertion of cultural authority vested in the larger collectivity, as represented by the nation-state. In its narrowest sense, this was a battle over the autonomy of subjective artistic vision. More broadly, it was part of the philosophical conflict in nineteenth- and early twentieth-century Japan between the discourses of egalitarian individualism and hierarchically ordered, group-based identity. For most of the period under consideration, the contest between different understandings of the role and obligation of the artist was fought out in the absence of strong coercion by the forces of the state. Beginning in the late 1930s, however, there occurred a qualitative change in the dialogue between the artist and the government. In January 1941 a long article in the art magazine Mizue detailed the aesthetic views of an organization new to art discourse, the..." @default.
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- W1455112488 date "1994-09-01" @default.
- W1455112488 modified "2023-09-26" @default.
- W1455112488 title "The Living Artist" @default.
- W1455112488 doi "https://doi.org/10.1080/00043249.1994.10791647" @default.
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