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- W147027742 abstract "As the ‘Facteur Cheval [Postman Cheval] of photography,’ the ‘Monsieur Jourdain of the traffic police,’ and an ‘artist despite himself,’ the Swiss photographer Arnold Odermatt, who was discovered in the 1990s when he had already passed retirement age, is often treated by critics and journalists as an exotic and colorful figure. There are many factors that have helped to create the ‘Odermatt legend’ and to make it especially attractive to the contemporary art world. Like Eugene Atget, Jacques-Henri Lartigue, and Miroslav Tichý, Odermatt belongs to the special category of belatedly discovered ‘outsiders’ who are cut off from the art world and care little for concepts or declarations of intent. As a figure of ‘artistic innocence,’ he provokes a mixture of admiration, condescension, and skepticism. It is not easy to grasp his images, which are neither entirely documents nor entirely fictions, neither wholly the product of mastery nor of instinct. Are notions of the photographer’s ‘naivete’ and his supposedly ‘unintentional’ humor simply cliches, or do they express an ambivalence on the part of the contemporary art world, a mixture of nostalgia and envy, toward an oeuvre without pretensions that is nonetheless gripping, ‘authentic,’ ‘instinctive,’ ‘brut’?" @default.
- W147027742 created "2016-06-24" @default.
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- W147027742 date "2011-11-21" @default.
- W147027742 modified "2023-09-28" @default.
- W147027742 title "Arnold Odermatt – Beyond the Seven Mountains. The Unsanctioned Artist’s Candid Eye" @default.
- W147027742 hasPublicationYear "2011" @default.
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