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- W1483154605 abstract "The range of music in films noir of the 1940s and 1950s takes in large-scale orchestral scores by composers rooted in the traditions of late nineteenth-century romanticism. This chapter provides an overview of the range of music featured in classic-era film noir rather than seeking to homogenize it. It discusses how the narratives, thematic concerns, and psychological states of the protagonists of film noir encouraged fresh directions in mainstream film music. The chapter considers how composers from the classical tradition, such as Bernard Herrmann and Miklos Rozsa, responded to film noir before addressing the impact of jazz. It closes with an analysis of Perry Botkin's extraordinary score for Murder by Contract. Murder by Contract underlines the difficulty in devising an all-encompassing sound for the scores of film noir and demonstrates again the genre's potential for innovation." @default.
- W1483154605 created "2016-06-24" @default.
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- W1483154605 date "2013-07-03" @default.
- W1483154605 modified "2023-10-14" @default.
- W1483154605 title "In a Lonely Tone" @default.
- W1483154605 doi "https://doi.org/10.1002/9781118523728.ch18" @default.
- W1483154605 hasPublicationYear "2013" @default.
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