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- W1483408306 abstract "Through comparing the Three Dialogues with certain aspects of psychoanalysis (specifically those relating to clinical practice and Lacan's understanding of the 'real'), this article argues that Beckett's text is preoccupied by a set of questions regarding the centrality and role of 'unrepresentability' in art, which are strikingly similar to those raised by psychoanalysis. Three Dialogues relies in certain formal ways (as well as alludes to) the patterns established in the therapeutic session and Beckett's paradoxi cal argument is a considered attempt to ask how unrepresentability can be productive, which parallels the function of the 'real' in psychoanalysis. Beckett's Three Dialogues has become increasingly central to critical attempts to analyse and to explain his work, in particular his later prose and drama. (For example, Bersani and Dutoit, 14-25). While this text is self-consciously eccentric, frequently obscure and often gnomic, it has nonetheless been taken to suggest an aesthetic argument regarding modem art and the artist, which is analogous to Beckett's own" @default.
- W1483408306 created "2016-06-24" @default.
- W1483408306 creator A5056586407 @default.
- W1483408306 date "2003-12-08" @default.
- W1483408306 modified "2023-09-26" @default.
- W1483408306 title "THE RESOURCES OF UNREPRESENTABILITY: A Lacanian Glimpse of Beckett's Three Dialogues" @default.
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- W1483408306 doi "https://doi.org/10.1163/18757405-90000155" @default.
- W1483408306 hasPublicationYear "2003" @default.
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