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- W1488681389 abstract "According to Zygmunt Bauman in Liquid Modernity (2000), the formerly solid andstable institutions of social life that characterised earlier stages of modernity havebecome fluid. He sees this as an outcome of the modernist project of progress itself,which in seeking to dismantle oppressive structures failed to reconstruct new rolesfor society, community and the individual. The un-tethering of social life from traditionin the latter stages of the twentieth century has produced unprecedented freedomsand unparalleled uncertainties, at least in the West. Although Bauman’s elaborationof some of the features and drivers of liquid modernity – increased mobility, rapidcommunications technologies, individualism – suggests it to be a neologism forglobalisation, it is arguably also the context which has allowed this phenomenon toflourish. The qualities of fluidity, leakage, and flow that distinguish uncontainedliquids also characterise globalisation, which encompasses a range of global trendsand processes no longer confined to, or controlled by, the ‘container’ of the nation orstate. The concept of liquid modernity helps to explain the conditions under whichglobalisation discourses have found a purchase and, by extension, the world in whichcontemporary children’s literature, media, and culture are produced. Perhaps moresignificantly, it points to the fluid conceptions of self and other that inform the ‘liquid’worldview of the current generation of consumers of texts for children and youngadults. This generation is growing up under the phase of globalisation we describe inthis chapter." @default.
- W1488681389 created "2016-06-24" @default.
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- W1488681389 date "2011-01-01" @default.
- W1488681389 modified "2023-09-26" @default.
- W1488681389 title "Local and Global: Cultural Globalization, Consumerism, and Children’s Fiction" @default.
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- W1488681389 doi "https://doi.org/10.1007/978-0-230-34530-0_4" @default.
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