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- W1488885320 abstract "novel, wrote Doris Lessing in her preface to The Golden Notebook (1962), alive and potent and fructifying and able to promote thought and discussion only when its plan and shape and intention are not understood, because that moment of seeing the shape, plan and intention is also the moment when there isn't anything more to be got out of it. In this view, the novel is most vibrant when still in a state of healthy turmoil, before process has been turned into product, and the work, still to be boundaried and defined by interpretation, has not yet settled into permanent form. The ideal reader will locate energy, liminally, between forms and across boundaries, in the spaces between shapes, and will thus confer value upon transitionality. Not surprisingly, in the fiction written after The Golden Notebook the lines of demarcation are constantly eroded. In The Four-Gated City (1969) walls are at one moment encaging, divisive barriers and protective screens; at the next collapsible drawbridges, horizontalizing themselves into points of access. Rooms, which in the early novels and stories represent the disintegrative compartmentalization of the self in a fragmented modern world, open out into stark new freedoms in The Summer Before the Dark (1973) and into the boundless psychological space of mental breakdown in Briefing for a Descent into Hell (1971)." @default.
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- W1488885320 date "1991-06-01" @default.
- W1488885320 modified "2023-09-24" @default.
- W1488885320 title "The Space in Time: Doris Lessing's Memoirs of a Survivor" @default.
- W1488885320 hasPublicationYear "1991" @default.
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