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- W1494804515 abstract "Québec theatre abounds with Shakespearean adaptations (not counting translations, another genre entirely). Jean-Pierre Ronfard’s texts contributed significantly to this corpus of adaptations which seek to appropriate “le grand Will” to work through Québécois issues. In Lear (1977) and Vie et mort du Roi Boiteux (1981),we see the evolution of the importance of nationalism and feminismbefore and after the referendum.The nation is destroyed by Rabelaisian carnival, but carnivalesque death is always associated with regeneration, which, in Ronfard’s works, is entrusted to regal daughters in whom we can find hope for the reconstruction of the nation once its bastardry has been celebrated. Ronfard’s plays also comprise ametafictional critique of Shakespeare himself who literally enacts the theory of the death of the author while giving birth to another Shakespeare who is entirely Québécois." @default.
- W1494804515 created "2016-06-24" @default.
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- W1494804515 date "2006-04-01" @default.
- W1494804515 modified "2023-10-16" @default.
- W1494804515 title "Daughters of the Carnivalized Nation in Jean-Pierre Ronfard’s Shakespearean Adaptations <i>Lear</i> and <i>Vie et mort du Roi Boiteux</i>" @default.
- W1494804515 doi "https://doi.org/10.3138/tric.27.1.1" @default.
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