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• W1497457880 abstract "The silences, the empty spaces, the language itself, with its excision of the female, the methods of discourse tell us as much as the content, once we learn to watch for what is left out, to listen for the unspoken, to study the patterns of established science and scholarship with an outsider's eye. -Adrienne Rich Much ofthe past is irrevocably silenced: gestures, conversations, and original manuscripts can never be recaptured. Silence and silencing still greet us in every library, every archive, every text, every newscast-at every tum. As Max Picard tells us, There are eventless periods in human history, periods in which history seems to carry silence-nothing but silence-around with her; periods in which [wo/]men and events are hidden beneath the silence (82). Only in the light of recent feminist scholarship recovering and giving voice to women's contributions in the broad history of culture making­ in philosophy, literature, language, writing, societal structure, religion, history, education, reading, psycho logy, and gender-have we in rhetoric begun to probe our own disciplinary silences and silencings. By doing so, we resist the history of rhetoric at the same time that we allow for the possibility of new and other rhetorics. If Karlyn Kohrs Campbell's Man Cannot Speak for Herinaugurated the feminist rhetorical proj ect by regendering the rhetor, then the caseade off eminis t rhetori cal studies that followed soon began to re-form each feature of the discipline. Patricia Bizzell, co-editor of The Rhetorical Tradition, surely one of the successful rhetorical projects in our academic lifetime, writes that the feminist project continues to present the most trenchant challenges to" @default.
• W1497457880 created "2016-06-24" @default.
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• W1497457880 date "2002-01-01" @default.
• W1497457880 modified "2023-09-28" @default.
• W1497457880 title "Silence: A Rhetorical Art for Resisting Discipline(s)." @default.
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