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- W1503411767 abstract "Amid the religious antagonisms of sixteenth-century Paris, the traditional French pastoral song reemerged from the obscurity of the fourteenth century, achieving a renewed popularity in the tumultuous capital. These bawdy pastoral songs—replete with Marian allusions—borrowed from, and engaged with, the Catholic language of body metaphor and could be heard to degrade the Marian body, stripping the image of her power at the same time that Protestant raids on Catholic churches were desecrating likenesses of the Holy Virgin and smashing the symbols of Catholic idolatry. These ostensibly secular songs were not incidental to religious turmoil, but, rather, provided a method of engagement. This examination argues that the sixteenth-century French pastoral song must be understood as a discursive form of iconoclasm, which underwrote, and gave meaning to, acts of iconoclasm in the physical realm. Moreover, it was the performance of such songs that allowed Protestants to temporarily claim space in a Catholic capital that intransigently refused to make room for them." @default.
- W1503411767 created "2016-06-24" @default.
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- W1503411767 date "2014-04-16" @default.
- W1503411767 modified "2023-09-27" @default.
- W1503411767 title "Pastoral Song and the Marian Body: Discursive Iconoclasm in Sixteenth-Century Paris" @default.
- W1503411767 hasPublicationYear "2014" @default.
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