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- W1504629537 abstract "In this article, I will discuss prints from the French Revolution that utilize scientific instruments as political metaphors. France's fascination with science during the Enlightenment has been well documented, notably by Bernadette Bensaude-Vincent and Christine Blondel in their recent investigation of its uses as a popular form of entertainment. Whether it was seen as an ally or a foe, the spectacle of science attracted Revolutionary artists. This pull reveals not only an understanding of scientific material thanks to the groundwork of the Enlightenment, but also a need to reposition science within a Revolutionary context. What the prints have in common is 'spectacle' in the sense that they are pre-occupied with the idea of illusion, not just as a negative act of deception but as a creative and potentially empowering process, allowing the viewer to see beyond reality into a brighter future." @default.
- W1504629537 created "2016-06-24" @default.
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- W1504629537 date "2011-04-01" @default.
- W1504629537 modified "2023-09-23" @default.
- W1504629537 title "The spectacle of science : the art of illusion in prints of the French revolution" @default.
- W1504629537 hasPublicationYear "2011" @default.
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