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- W1517746990 abstract "The object of Renard's quest is knowledge of the unique principle, the Absolute, from which all else springs. Even though he is a believer, seldom is there mention of God in his work, and when it occurs, it is usually written dieu with the lower case d. He refers to the absolute as mystere, since it is always just beyond the limit of his human understanding. Conceding that he will never know the exact nature of this mystere, the poet is nevertheless driven to the obstinate pursuit of its elucidation. It is within the context of the poetic experience itself, and more specifically, within the context of poetic language that this pursuit takes place. The poetic relationship that Renard sustains with the unknowable and the unattainable invites a comparison to his compatriot from the Midi, Rene Char, for whom le poeme est l'amour r6alis6 du demeur6 d6sir (73). Like Renard, Char continually renews his contemplation of the absence and silence that constitute the unknown; although, for Char the unknown is more often fixed in the obscure regions of the subconscious than in the metaphysical. For Renard, as for the evangelist St. John in the opening words of his gospel-In the beginning was the Word, and the Word was with God, and the Word was God-the creative power of language is inextricably linked to the mystery of the ultimate source of all being. The intention of this article is to show what is, for Renard, the relationship between poetry and mystire and to analyse the ways that he uses language to capture fragments and to approach an understanding of the illusive absolute he seeks. First of all, it is clear that the poet's attempts to reveal the unknown through poetry are, in fact, attempts to replicate in some way the initial" @default.
- W1517746990 created "2016-06-24" @default.
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- W1517746990 date "1992-01-01" @default.
- W1517746990 modified "2023-09-26" @default.
- W1517746990 title "Jean-Claude Renard: and the word was made Mystère" @default.
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