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- W1521149062 abstract "‘Playing with surveillance’ is no more a marginal, underground activity, but it is rather proliferating in all its different guises. Surveillance-related art echoes resistance and is becoming an important part of popular culture; border controls and new police technologies embody sci-fi literature better than cinema; ‘board games’ rely on GPS tracking systems; and theatre actors ‘teach’ smart CCTV what deviant behavior looks like.Therefore, there is little surprise if the ‘playful’ side of surveillance is increasingly emerging as a central topic in surveillance studies. Not only important voices, such as David Lyon (2011), invite to pay attention to the ‘playfulness’ of surveillance to better understand its widespread acceptance, but also the very role of the ‘plays and arts’ of surveillance are put in question (McGrath, 2004; Albrechtslund and Dubbeld, 2005; McGrathand Sweeney, 2010).This contribution explores some of the different forms that ‘playing with surveillance’ can embody. On the basis of specific cases, it contends that a more generous understanding of what it means to ‘play with surveillance’ is needed: one that does not disregard the specific trajectories that each ‘play’ inaugurates or attempts and takes into consideration the desires, the motivations and the specific articulations underlying these." @default.
- W1521149062 created "2016-06-24" @default.
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- W1521149062 date "2013-01-01" @default.
- W1521149062 modified "2023-09-26" @default.
- W1521149062 title "Playing with Surveillance: Towards a More Generous Understanding of Surveillance" @default.
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