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- W152350417 abstract "Pablo Neruda's poetry, in its development, has in some ways shown a striking propensity for change and evolution. At the same time, throughout his career, the poet has maintained certain attitudes and practices. My aim in this study is to point out some of these persistent practices, after having first established the frame of changes within which the constant aspects occur. In this way, I will attempt to eluci date some of the central characteristics of Neruda's poetry. Serious in his mission as poet, and conscious of the intense interest in poetic theory maintained throughout the nineteen twenties, Neruda, in the first part of Residencia en la tierra (1925?1935), published several poems dealing with his poetics, in addition to the one specifi cally entitled ?Arte po?tica. ?Galope muerto, for instance, the first poem in the book, signals the poet's break with the Romantic Modernist expression of his early books, Crepusculario, Veinte poemas de amor y una canci?n desesperada and El hondero entusiasta. So diffe rent is the poem in both theme and imagery from those of the earlier books that it could prove baffling at first glance to the reader who approaches Neruda's work chronologically. The opening stanza, with its series of suspended similes in which the vehicles move in rapid progression from one image to the next while the tenors remain un mentioned, suggests at once that new importance is being given in this work to the images themselves:" @default.
- W152350417 created "2016-06-24" @default.
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- W152350417 date "2016-01-01" @default.
- W152350417 modified "2023-09-24" @default.
- W152350417 title "CHANGE AND CONSTANCY IN PABLO NERUDA'S POETIC PRACTICE" @default.
- W152350417 hasPublicationYear "2016" @default.
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