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- W1524951508 abstract "My primary motivation for this project has been to find a photographiclanguage that communicates the experience of being in the land.The conventions of landscape photography are largely based on the concept oflooking at the landscape rather than being in the land. These conventions relyon the monocular lens of the camera, linear perspective and, by implication,produce a distancing, totalising view.My investigation led me to abandon the use of the photographic camera andfind methods and techniques that required my physical engagement with theenvironment and a touch-dependant manner for making images. I combinedthe old technology of the photogram and the relatively new technology of thedigital scanner. Both image making processes rely on the physical contact ofan object with the surface that produces the image. In both cases, the resultingimage represents a trace of the object and a fragment or detail from the largerenvironment. The added component of text, also refers to experienced timeand place.I chose Maria Island, off the East Coast of Tasmania, as the exclusive locationfor my project and conducted extended field trips there. Remnants of floraand fauna and journal notes collected on the island became the sourcematerial for the making of my photograrns, digital prints and text.Searching for an appropriate format of presentation resulted in thedevelopment of the frieze as an open visual device. The frieze invites physicalmovement and imagining beyond the material borders of the images.The theoretical context of my project is based on a comparison between aCartesian perspectival representation of landscape, and a phenomenologicalapproach to communicating experience.The visual field I have identified for my project comprises works by artistsRichard Long, Hamish Fulton, David Stephenson, Tokihiro Sato, NikolausLang, John Wolseley, Karl Blossfeldt, Harry Nankin and Susan Derges as wellas a reference to drawings from the Baudin expedition. I have discussed theworks in regard to issues that are relevant for my own project; how they dealwith land, fragment and detail, the awareness of being in time, the trace andthe format of the frieze.My original contribution to the field consists in how I have employed the twoseemingly disparate technologies of the photogram and the digital image tomaterially engage with the land and to transfer this into a coherent expressivebody of work. My investigation has resulted in an interpretation of theenvironment of Maria Island that resonates with my experience of being in theland and provides one model for a viable phenomenological approach tolandscape representation." @default.
- W1524951508 created "2016-06-24" @default.
- W1524951508 creator A5016499886 @default.
- W1524951508 date "2003-01-01" @default.
- W1524951508 modified "2023-09-27" @default.
- W1524951508 title "Tracings : a photographic investigation into being in the land" @default.
- W1524951508 hasPublicationYear "2003" @default.
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