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- W1528079919 abstract "Certain aspects of Wallace Stevens' poetry have often been com pared to myth. The term usually has been used to describe particular figures or patterns, or simply to point in a general sense to Stevens' spiritual or metaphysical dimension. Northrop Frye says that poets see individual and class as metaphorically identical: in other words they work with myths. . . . Such myths . . . play a large role in Stevens' imagery. 1 James Baird notes that for Stevens the true poet in any age is a maker of a canon for the imagination as its highest levelhe adds that the arc of [Stevens'] canon is, then, the major projection of a myth. ... 2 But precisely in what way does Stevens' poetry function on a mythic level? How does his theory of poetry— his theory of life, the subject of his poems—involve the idea of myth? Now at a time when the meaning of myth is increasingly crucial to criticism, Stevens' poetry and thought can be a significant contribution to our understanding of the mythic dimension—and themselves clarified by such an understanding. For just as the idea of myth provides a confluence for the disparate elements of modern literature as a whole so too it can help to explain oppositions in the work of Stevens, such as those between the decreative and the creative, the secular and the spiritual, the formalized and the spontaneous. Central to all these opposing tendencies is the apparent contradiction between Stevens' professed faith in physical experience and the abstract texture of his poetry. He proclaims that the greatest poverty is not to live / In a physical world.... 3 But his own poetry seldom provides a sense of physical immediacy. Instead it is founded on a vast abstrac" @default.
- W1528079919 created "2016-06-24" @default.
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- W1528079919 date "1972-01-01" @default.
- W1528079919 modified "2023-09-24" @default.
- W1528079919 title "Wallace Stevens: Myth, Belief, and Presence" @default.
- W1528079919 hasPublicationYear "1972" @default.
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