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• W1530898402 abstract "Aquesta tesi es presenta com lanalisi aprofundida de la formacio dun genere per a la inscripcio identitaria. Es tracta del testimonio, un genere institucionalitzat en el context de lAmerica Llatina dels anys setanta i denominat emblematicament en castella en la critica posterior que nha promogut la difusio com a genere reeixit, pero tambe com a problema teoric. El testimonio ha estat definit com un genere hibrid o fronterer, que beu de distints models i disciplines per tal dobrir un espai denunciacio. La seva existencia sha justificat en funcio daquest objectiu pragmatic: el de donar veu als individus i a les comunitats subalternes que anteriorment no havien tengut acces a lexpressio.Tot prenent com a correlat el cas del testimonio, en aquesta tesi sanalitzen les implicacions teoriques i critiques de la difusio i interpretacio daquest tipus de literatura, creada amb una voluntat programatica determinada a partir de formes de representacio que se situen en lespai ambigu que separa i uneix alhora la literatura i les ciencies socials. Aixi, a partir de lanalisi dels discursos difosos com a testimonials, sestudia el proces en que es configuren generes per a la representacio cultural en un intercanvi de metodes i formalitzacions entre lantropologia i la literatura. Es parteix de la hipotesi que aquests generes no son models buits sino categories en la constitucio de les quals intervenen tant la produccio teorica de justificacions disciplinaries com tambe una determinada voluntat politica de condicionar les formes de representacio que fan possibles.Per desenvolupar aquesta hipotesi, el treball sinicia amb una analisi del context interdisciplinari en que es creen obres com a testimonios. Es aixi que el primer capitol esta dedicat integrament a presentar les polemiques que ocasiona lacostament de lantropologia a la literatura. Aquest acostament esta provocat per la necessitat dels etnografs de trobar noves formes de llegir les seves produccions textuals, aixi com tambe de crear nous tipus descriptura que els permetin mostrar-se conscients de les posicions denunciacio que generen. En el segon i el tercer capitols, saprofundeix en la formacio i recepcio critica del testimonio. Es fa esment especial als condicionaments politics que afecten tant els testimonios com les tendencies critiques (postcolonials, grups destudi subaltern, etc.) que nassumeixen la defensa. Tambe sanalitza amb atencio la constitucio problematica de les instancies dautor i dinformant en els testimonios, aixi com el tipus de representacio politica i poetica que pretenen els llibres publicats com a tals. Per acabar, el darrer capitol tanca la tesi amb un estudi de cas sobre les obres de tres autors, Oscar Lewis, Ricardo Pozas i Elena Poniatowska, des de lavinentesa que aquestes se situen en un espai ambigu entre la literatura i lantropologia i que, potser per aquesta mateixa ambiguitat, han estat llegides com a testimonios.En definitiva, es tracta duna tesi que ofereix una mirada interdisciplinaria sobre el testimonio en particular i sobre lescriptura identitaria en general. Es planteja amb la voluntat de bastir una visio completa sobre un producte cultural hibrid com el testimonio pero tambe sobre les implicacions teoriques del tractament critic de tot tipus dobjectes culturals creats en un context interdisciplinari o amb una voluntat politica explicita.This doctoral thesis presents a deep analysis of how a literary genre is created in order to assume a cultural and political representation. This genre is testimonio, a type of literature created during the 70s in Latin America and lately divulged by literary critics as a good example to illustrate some theories on postcolonial literature and the expression of new cultural identities. Testimonio has been defined as a hybrid genre, a type of literature created in the intersection between different models and disciplines in order to open a new space for the expression of subaltern voices. This pragmatic objective has been the most important argument in favor of the existence of this new genre. The theoretical side of this study reflects on the process of configuration of this kind of literary objects, created to represent cultures and constructed by an exchange of methods between literature and anthropology. These genres are not empty schemas, but categories that are determined by political and critical wills.To expound this hypothesis, this study begins with an analysis of the interdisciplinary context in which testimonios are produced. The first chapter is focuses entirely on the polemics that the approach of anthropology to literary representations caused in the social science. This approach is induced by the ethnographers need to find new ways to read their own textual productions and, at the same time, by the wish to invent new ways of writing that let the researcher show consciously the enunciation positions that are generated in the ethnographic encounter. The second and third chapters present a profound study of the formation and critical reception of testimonio. They refer specially to the political conditions that affect the diffusion of testimonios, as well as the critical groups (the ones devoted to postcolonial or subaltern studies, for example) that assume this subaltern genre defense. The problematical constitution of the informant and author positions in mediated testimonios are also analyzed. The fourth and last chapter closes the thesis with a case study about the works of three writers, Oscar Lewis, Ricardo Pozas and Elena Poniatowska, who produce books interpreted ambiguously as literary or ethnographical ones.To sum up, this doctoral thesis offers an interdisciplinary sight on testimonio and identity writing in general. It aims to present a complete work on a hybrid genre but also on the theoretical problems of working with all kinds of cultural objects created in an interdisciplinary context or with an explicit political wish." @default.
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• W1530898402 date "2003-09-29" @default.
• W1530898402 modified "2023-09-28" @default.
• W1530898402 title "Política i poètica de l'etnoficció. Escriptura testimonial i representació de la veu subalterna" @default.
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