FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W1531461671> ?p ?o ?g. }

• W1531461671 endingPage "155" @default.
• W1531461671 startingPage "149" @default.
• W1531461671 abstract "Faiz’s championship for a classless society has a conscious voice in his poetry. His attempt is to uphold the tenets of Communism and the cause of the deprived, the underdog “yeh galion ke awara bekar Kutte” (Faiz Nuskha Haai Wafa 71) which is well manifest in his poetry. His voice is robust with optimism, courage and strength. In him, there is a celebration of not only the intellect which is often a prerogative of the upper class that can afford time and energy to spend for the acquisition of intellectual prowess and aesthetic taste; but there is also a bonhomie about physical strength that the proletariat are more associated with as theirs is real struggle of the body and its sustenance. Hands, mouth and lips, voice, a tall and erect body accustomed to hard work are the main sources of power. His poetry enthuses many and is appreciated by many. Some of his poems are in Punjabi aiming at the Punjabi peasantry. Is Faiz’s appeal really universal, cutting across the class borders? The aesthetic peculiar to Faiz that he perhaps shares only with Ghalib, involves an amalgamation of high and low styles and diction. His conversational style admixes with Arab-Persian lexical chunks. It was something inevitable for his lack of control of the language that draws its aesthetic conventions in an intellectual hybridity resulting from its historical contact and association with Arabic and Persian, once languages of the intellectual as well as emotional make-up of the learned class. A reading of his poetry against its grain reveals the fault lines inherent in his aesthetic. It is ironic that crux of his message is for the proletariat of the society who cannot read him with felicity as they lack the pre-requisite literary competence and are beyond the purview and leisure of reading sessions. Major Mohammed Is’haaq’s “Roodad-e-Qafas” (Faiz Zindan Naama 9), epitomises warring nature of the ideology, theme and aesthetic that inheres Faiz’s poetry. Mohammed Is’haaq’s sense of honour associated with the task of writing an introduction to Faiz’s poetry, his alleged plebeian background and his hyperbolic confession of nervousness for the said task (in a language that again belies the said words) affirms the opposing threads of potential interpretations that make apparent that the unity of his voice and theme remain elusive and indeterminate. The question whether Faiz may infuse the real underdogs with the real zeal, ardour and passion, as he talks about the uplift of their lot demands an attempt to affirm an answer or lack thereof. The paper is an experiment with the trailing of the fissures and gaps that leave any interpretation of Faiz’s poetry indeterminate without undermining the effect it has on a particular class that controls, defines and patents aesthetic sense." @default.
• W1531461671 created "2016-06-24" @default.
• W1531461671 creator A5027580184 @default.
• W1531461671 date "2013-01-01" @default.
• W1531461671 modified "2023-09-28" @default.
• W1531461671 title "A Note on the Poetic Aesthetic of Faiz" @default.
• W1531461671 hasPublicationYear "2013" @default.
• W1531461671 type Work @default.
• W1531461671 sameAs 1531461671 @default.
• W1531461671 citedByCount "0" @default.
• W1531461671 crossrefType "journal-article" @default.
• W1531461671 hasAuthorship W1531461671A5027580184 @default.
• W1531461671 hasConcept C107038049 @default.
• W1531461671 hasConcept C124952713 @default.
• W1531461671 hasConcept C138885662 @default.
• W1531461671 hasConcept C142362112 @default.
• W1531461671 hasConcept C164913051 @default.
• W1531461671 hasConceptScore W1531461671C107038049 @default.
• W1531461671 hasConceptScore W1531461671C124952713 @default.
• W1531461671 hasConceptScore W1531461671C138885662 @default.
• W1531461671 hasConceptScore W1531461671C142362112 @default.
• W1531461671 hasConceptScore W1531461671C164913051 @default.
• W1531461671 hasIssue "2" @default.
• W1531461671 hasLocation W15314616711 @default.
• W1531461671 hasOpenAccess W1531461671 @default.
• W1531461671 hasPrimaryLocation W15314616711 @default.
• W1531461671 hasRelatedWork W1203581882 @default.
• W1531461671 hasRelatedWork W185230089 @default.
• W1531461671 hasRelatedWork W2001771789 @default.
• W1531461671 hasRelatedWork W2082425335 @default.
• W1531461671 hasRelatedWork W2315395171 @default.
• W1531461671 hasRelatedWork W2322094305 @default.
• W1531461671 hasRelatedWork W2329912809 @default.
• W1531461671 hasRelatedWork W2428591982 @default.
• W1531461671 hasRelatedWork W2461431246 @default.
• W1531461671 hasRelatedWork W2477964298 @default.
• W1531461671 hasRelatedWork W2480746977 @default.
• W1531461671 hasRelatedWork W2486478098 @default.
• W1531461671 hasRelatedWork W2495286718 @default.
• W1531461671 hasRelatedWork W2528750596 @default.
• W1531461671 hasRelatedWork W267224981 @default.
• W1531461671 hasRelatedWork W2753479823 @default.
• W1531461671 hasRelatedWork W280271967 @default.
• W1531461671 hasRelatedWork W2809524690 @default.
• W1531461671 hasRelatedWork W2918242757 @default.
• W1531461671 hasRelatedWork W334671864 @default.
• W1531461671 hasVolume "5" @default.
• W1531461671 isParatext "false" @default.
• W1531461671 isRetracted "false" @default.
• W1531461671 magId "1531461671" @default.
• W1531461671 workType "article" @default.