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- W1535248966 abstract "The perspective of iconicity applied to the present study is based on Paul Ricoeur's conception of the iconic, artistically innovative and dynamic function of the poetic metaphor. The thesis focuses on how traditional sources affect the writing process of two formally innovative novels, Virginia Woolf's To the Lighthouse (1927) and Gerald Murnane's Inland (1988). In this context of experimental writing, iconicity, a tradition ultimately derived from the visualization of a sacred person or an idea in Byzantine art, interacts, through colour symbolism, with the subtextual use of Virgil's Aeneid in To the Lighthouse and the Gospel of Matthew in Inland. Though differing in terms of their modern and postmodern characteristics, respectively, of transcending experiences in the past, both novels testify to the persistence of traditional sources. The act of painting in To the Lighthouse is, in this context, an effort to make the death of a central iconic figure affect a later time in an elegiac process; the nameless writer's book in Inland has a similar function as an attempt to encapsulate past time within the present through apocalypse and parable. In contrast to the complete closure determined by the framework of elegy and the analogy of painting and writing in To the Lighthouse, the iconicity based on the analogy drawn between Jesus' parable of the indefinitely extended growth of the fig-tree and the writing process in Inland creates open-endedness in all narrative instances, which leads to a provisional ending of the text." @default.
- W1535248966 created "2016-06-24" @default.
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- W1535248966 date "2004-01-01" @default.
- W1535248966 modified "2023-09-23" @default.
- W1535248966 title "Iconicity in the writing process : Virginia Woolf's To the lighthouse and Gerald Murnane's Inland" @default.
- W1535248966 hasPublicationYear "2004" @default.
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