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- W1541026590 abstract "Today, nearly two decades after the publication of Jean Franco's ground breaking study, Plotting Women: Gender and Representation in Mexico (1989), the relative novelty of such serious scholarly attention devoted Mexican women artists has faded. Perhaps as a result, some disadvantages of Franco's approach have begun emerge. In the present essay, I will focus on a particular chapter of Plotting Women, the one that analyzes Elena Garro's Los recuerdos delporvenir (1963) and Rosario Castellanos's Oficio de tinieblas (1962). My critique of Franco's work does not aim for wholesale rejection of her efforts. Rather, I wish attempt an alternative, cooperative criticism, in part inspired by Astrid Henry's observation that western feminism suffers from generational conflict. According Henry, just as some second-wave feminists sometimes appeared to imagine that they were giving birth themselves (71), now many feminists of the so-called third wave see their most radical act [. ..] as breaking the mother-daughter connection precisely in order create separate identities or take over existing power (48). I stand in decidedly junior," @default.
- W1541026590 created "2016-06-24" @default.
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- W1541026590 date "2006-01-01" @default.
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- W1541026590 title "Being Jean Franco: Mastering Reading and Plotting Women" @default.
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