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- W156114337 abstract "The architecture in Queensland, uniquely in Australia, has long been understood in terms of climate. Historically seen as a solution to the problem of heat, local buildings have been framed (by the present day historian rather than the nineteenth-century architect) in terms of site-specific technical amelioration rather than art. In the present day however, this situation has reversed: the local climate is now highly valued in terms of lifestyle and cultural capital, with a corresponding rise in the taste for and perceived artistic value of ‘regionalist’ architecture. Documenting the shifting values attached to ideas of climate and art in both the late-nineteenth and early twenty-first centuries, and architecture’s often changing relationship to these, the paper seeks to demonstrate not only the limitations of such climate-centric readings but the cultural logic that often underpins them. Two comparative ‘flagship’ projects, GHM Addison’s New Exhibition Building of 1891, commissioned by the Queensland National Agricultural and Industrial Association; and the Queensland Art Gallery’s Gallery of Modern Art (GoMA) project, completed in late 2006, will provide the focus for this discussion. Examining the institutional framing of climate, art and industry in each building, the paper argues for the need to understand the regional-specificity of Queensland architecture as a matter of public policy, a state attempt to train an audience and taste for architecture in and of Queensland. Considering these issues, the paper outlines the ambitions, scope and methods of a newly-funded ARC Discovery research project, ‘The Cultural Logic of Queensland Architecture: Place, Taste, and Economy.’" @default.
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- W156114337 date "2011-01-01" @default.
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- W156114337 title "A taste for place: The cultivation of an audience for climate-responsive architecture in Queensland" @default.
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