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• W1564413372 abstract "edited by Elizabeth R. Baer and Myrna Goldenberg. Detroit: Wayne State University Press, 2003. 321 pp. $24.95. This excellent multi-disciplinary anthology presents a selection of essays, all from a feminist perspective, concerning women in Holocaust. For professionals in Holocaust studies, volume provides a thorough overview of field and its controversies; for newcomer to feminist studies of it provides lively essays in clear, accessible language. At heart of Experience and Expression is an interest in tackling theoretical issues, particularly questions of why studies of women in Holocaust are and what to Holocaust studies can teach us. The introduction provides a 13-page history of gendered approaches to while Part I presents a pair of essays suggesting a theoretical framework for study. John K. Roth's essay defends inclusion of women in Holocaust studies against those who, like Gabriel Schoenfeld, find gender studies witless and malicious (p. 6). Roth argues that since good teaching and research about Holocaust demand particularity -- a close attention to details -- then a study of women's lives during Holocaust is both legitimate and necessary (p. 6). Pascale Rachel Bos addresses question of how to address gender in Holocaust literature. She posits that men and women experience, remember, and recount events differently (p. 33). Bos's categories become basis for sectional divisions of book. Part II, Women' Experiences: Gender, Nazis, and Holocaust, focuses exclusively on non-Jewish women, both victims and perpetrators. Four essays address Roma and Sinti (Gypsy) women, Polish slave laborers in Germany, German nurses involved with Nazi euthanasia program, and a postwar nurses's trial at Hadamar. Part III, Gender and Memory: The Uses of Memoirs, includes four essays on French resistance, responses to hunger, Tikkun Atzmi (mending of self), and Anne Frank as inspirational victim. Despite title's emphasis on memoirs, essays in this section go beyond memoirs strictly defined to include diaries, fictional autobiographies, and personal interviews. Part IV, Women's Expressions: Postwar Reflections in Art, Fiction, and Film, offers three essays on art installations, coping strategies in American fiction, and sexuality in literature and film of Holocaust. This section reinforces themes and topics also covered earlier in anthology, such as food fantasies, resistance, and diary of Anne Frank. Three essays will serve to suggest scope of this book, two from section on Experience and one from section on Memory. Historian Anna Rosmus, figure behind the nasty girl in film of that title, focuses on Involuntary Abortions for Polish Forced Laborers. Curious about two mass graves near her home town of Passau, Germany, she pursues their history through documents and interviews with former slave laborers whom she is able to locate. Her research reveals a program of forced abortions for Polish laborers organized by Nazi state, nationwide (p. 77). Children of Polish forced laborers were murdered, as well, in so-called children's homes, where they were victims of tainted food. Rosmus notes that local population protested expansion of cemetery to bury these children and, in 1950s, eradicated all signs of mass graves, pulling down crosses and planting trees. Later, a vacation cottage was built on site. This article, fueled by a fiery sense of outrage, is noteworthy for its careful treatment of a little-known and difficult-to-document topic and for its effort to capture both past and present attitudes toward murders. Rosmus concludes with a lament for growing gap between reality and way reality is represented in Germany (p. 91). Susan Benedict's essay, Caring While Killing: Nursing in `Euthanasia' Centers, attempts to understand how nurses, most of whom were not Nazis, could have been persuaded to be involved in administering lethal doses of poison to patients. …" @default.
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• W1564413372 title "Experience and Expression: Women, the Nazis, and the Holocaust" @default.
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