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- W1566690706 abstract "HBO's 2004 feature film, Iron Jawed Angels, won popular and industry acclaim for its compelling portrayal of the US woman suffrage movement. For making this historical narrative accessible to contemporary audiences, the film deserves the praise of feminist critics, but it also necessitates careful feminist analysis of its retrospective framing strategies. This essay argues that the film appeals to twenty-first-century audiences because it (1) draws upon contemporary televisual aesthetics, (2) renders the suffrage movement in postfeminist and third wave feminist terms, and (3) speaks to the liberal citizenship ideology so prevalent in contemporary discourse about voting rights. Important though these frameworks are for making the film's subject accessible, I argue that they have at least two ideological consequences: the film deflates the possibilities for radical feminist activism directed toward structural change, and it eschews the specifically feminist ideology of the woman suffrage movement. Above all, the film's limitations remind us of the need for more memorials and more complex memorials to the history of feminist organizing." @default.
- W1566690706 created "2016-06-24" @default.
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- W1566690706 date "2009-03-01" @default.
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- W1566690706 title "Winning the Right to Vote in 2004" @default.
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- W1566690706 doi "https://doi.org/10.1080/14680770802619516" @default.
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