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• W1567012537 abstract "The five minute Q & A session that followed my presentation at the 2013 Phenomenon of Singing Symposium served as a wake-up call for me. The comments changed my mind about how I plan to proceed with my research. In fact, they convinced me that I must continue. In this essay, I will address those comments as well as additional ones from subsequent conversations, emails, phone calls, etc. in the days that followed the meeting. In the past decade, the years following the completion of my dissertation The Effects of Childhood Sexual Abuse on the Adult Singing Voice (Johnson 2004), I have presented and written about various aspects of the research on numerous occasions. Nonetheless, several times I have been turned down as a speaker because my topic was considered depressing. Indeed, some found the subject matter off-putting, as well they should, as it covers atrocities—egregious breaches of social covenant. As Herman (1992) attests, “certain violations of the social compact are too terrible to utter aloud: this is the meaning of the word unspeakable” (p.1). More common, though, has been the response that I received at the Phenomenon of Singing 2013 Symposium. The single word that the first audience member uttered is a word that has been said to me for the past decade at conferences, in emails, in notes, and in furtive whispered comments—“finally.” Finally, someone is addressing this; finally, this is in the open; finally, I am heard; finally, we can do something about this; finally, there will be help. Formally, I heard the word as validation for the need for my research. In St. John’s, for the first time, I heard the word as a chilling indication that there has been little progress toward solutions. The expression “finally” suggests a transition, a new direction. That this word continues to be the response attests that the subject continues to be silenced—silenced perhaps by fear; or worse, by indifference and ignorance. Unfortunately, with silence and secrecy, “the story of the traumatic event surfaces not as a verbal narrative but as a symptom” (Herman, 1992, p. 1). Many of these symptoms (often referred to as sequelae to sexual abuse) can directly compromise the singing voice (Johnson, 2004; 2009). Following a brief overview of the effects of post-trauma on the singing voice and the implications for teachers, the focus of this essay will be on answers, recommendations, and unanswered questions that surfaced at the 2013 Symposium and in subsequent discussions. A more in-depth summary of the research can be found in the NATS article (Johnson, 2009) or the dissertation (Johnson, 2004)." @default.
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• W1567012537 date "2014-01-30" @default.
• W1567012537 modified "2023-09-27" @default.
• W1567012537 title "Pedagogical Implications for Teaching Students with a History of Sexual Trauma: An Essay regarding the Q&A Session following the Presentation" @default.
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