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- W1567110183 abstract "ABSTRACTThe circulation and reception of HBO's award winning documentaries, Paradise Lost (Berlinger and Sinofsky, 1996) and Paradise Lost 2: Revelations (Berlinger and Sinofsky, 2000), represent the beginning of an emerging form of democratic practice facilitated by documentary distribution and the Internet. Paradise Lost chronicles the legal case of three teenage boys convicted of murdering three other adolescent boys in West Memphis, Arkansas. Although nothing was unusual about the broadcasting of the documentary, the public reception of the film was extraordinary. The Paradise Lost documentaries became a nexus around which audiences congregated as juror-citizens. The films successfully generated and sustained an activist media culture by unifying and politicizing viewers through viral online networking, public deliberation, and the creation of an instrumental counter-public that also utilized traditional modes of political agitation in the world before social media. This article will analyse the const..." @default.
- W1567110183 created "2016-06-24" @default.
- W1567110183 creator A5039399180 @default.
- W1567110183 date "2014-04-28" @default.
- W1567110183 modified "2023-09-26" @default.
- W1567110183 title "Paradise Lost and found: Popular documentary, collective identification and participatory media culture" @default.
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- W1567110183 doi "https://doi.org/10.1386/sdf.7.3.233_1" @default.
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