Matches in SemOpenAlex for { <https://semopenalex.org/work/W1567784209> ?p ?o ?g. }
Showing items 1 to 70 of
70
with 100 items per page.
- W1567784209 endingPage "250" @default.
- W1567784209 startingPage "215" @default.
- W1567784209 abstract "During the twentieth century the relationship between music and machines has become increasingly broad and complicated. Composers and musicians are now working within a complex setting of electronic, optic, and acoustic equipment, which results from the original combination between technological research and artistic experimentation. These artifacts are «materialized theories» of sound, because their construction is the concrete result of a specific interpretation of sound and audio, which contributes to determining the horizon of possible manifestations of musical thinking at any given time. They allow us to generate processes which make it possible to amalgamate different representations and effects, organizing the simultaneous presence and live interaction of heterogeneous devices for sound production and control. As a consequence, music materials can no longer be seen as the set of natural and intuitive elements internally processed by an artist. Contemporary musicians, on the contrary, are used to continuously shifting from the symbolic forms of notation for voice and acoustic instruments to electronic sound synthesis, from orchestral practice registers to live interaction using a computer. As part of these processes, action continuously reviews its operating patterns based on a recording of the effects on its performance. Therefore, the universe of the composition is not at all foreordained, but saturated with contingencies; the relationship between the system and its surrounding reality is not established a priori, because changes are based on the analysis of immediate effects. Thus, the preordination dictated by «musical logic» gives way to approximate calculation. For this reason we should acknowledge that the complexity of contemporary media leaves no room for purely textual approaches; on the contrary, in order to understand it, new conceptual tools are called for, to the extent that the equipment used for musical creation is suitable for the logic of systems: it refers not only to sound, but also to the system design itself that generates it which has become an integral part of the work project. The pathway suggested here is aimed at historicizing the development of technologically-driven expression forms, using the notions of time and energy as conceptual guidelines." @default.
- W1567784209 created "2016-06-24" @default.
- W1567784209 creator A5062279059 @default.
- W1567784209 date "2013-01-01" @default.
- W1567784209 modified "2023-09-23" @default.
- W1567784209 title "Tempo/Energia nel pensiero musicale del Novecento" @default.
- W1567784209 doi "https://doi.org/10.13128/aisthesis-14103" @default.
- W1567784209 hasPublicationYear "2013" @default.
- W1567784209 type Work @default.
- W1567784209 sameAs 1567784209 @default.
- W1567784209 citedByCount "0" @default.
- W1567784209 crossrefType "journal-article" @default.
- W1567784209 hasAuthorship W1567784209A5062279059 @default.
- W1567784209 hasConcept C111472728 @default.
- W1567784209 hasConcept C121332964 @default.
- W1567784209 hasConcept C138885662 @default.
- W1567784209 hasConcept C142362112 @default.
- W1567784209 hasConcept C153349607 @default.
- W1567784209 hasConcept C166957645 @default.
- W1567784209 hasConcept C177264268 @default.
- W1567784209 hasConcept C199360897 @default.
- W1567784209 hasConcept C203718221 @default.
- W1567784209 hasConcept C24890656 @default.
- W1567784209 hasConcept C2776608160 @default.
- W1567784209 hasConcept C2778546925 @default.
- W1567784209 hasConcept C41008148 @default.
- W1567784209 hasConcept C41895202 @default.
- W1567784209 hasConcept C45357846 @default.
- W1567784209 hasConcept C499572226 @default.
- W1567784209 hasConcept C527412718 @default.
- W1567784209 hasConcept C532620858 @default.
- W1567784209 hasConcept C554936623 @default.
- W1567784209 hasConcept C558565934 @default.
- W1567784209 hasConcept C75553542 @default.
- W1567784209 hasConcept C88639978 @default.
- W1567784209 hasConcept C95457728 @default.
- W1567784209 hasConceptScore W1567784209C111472728 @default.
- W1567784209 hasConceptScore W1567784209C121332964 @default.
- W1567784209 hasConceptScore W1567784209C138885662 @default.
- W1567784209 hasConceptScore W1567784209C142362112 @default.
- W1567784209 hasConceptScore W1567784209C153349607 @default.
- W1567784209 hasConceptScore W1567784209C166957645 @default.
- W1567784209 hasConceptScore W1567784209C177264268 @default.
- W1567784209 hasConceptScore W1567784209C199360897 @default.
- W1567784209 hasConceptScore W1567784209C203718221 @default.
- W1567784209 hasConceptScore W1567784209C24890656 @default.
- W1567784209 hasConceptScore W1567784209C2776608160 @default.
- W1567784209 hasConceptScore W1567784209C2778546925 @default.
- W1567784209 hasConceptScore W1567784209C41008148 @default.
- W1567784209 hasConceptScore W1567784209C41895202 @default.
- W1567784209 hasConceptScore W1567784209C45357846 @default.
- W1567784209 hasConceptScore W1567784209C499572226 @default.
- W1567784209 hasConceptScore W1567784209C527412718 @default.
- W1567784209 hasConceptScore W1567784209C532620858 @default.
- W1567784209 hasConceptScore W1567784209C554936623 @default.
- W1567784209 hasConceptScore W1567784209C558565934 @default.
- W1567784209 hasConceptScore W1567784209C75553542 @default.
- W1567784209 hasConceptScore W1567784209C88639978 @default.
- W1567784209 hasConceptScore W1567784209C95457728 @default.
- W1567784209 hasIssue "3" @default.
- W1567784209 hasLocation W15677842091 @default.
- W1567784209 hasOpenAccess W1567784209 @default.
- W1567784209 hasPrimaryLocation W15677842091 @default.
- W1567784209 hasVolume "6" @default.
- W1567784209 isParatext "false" @default.
- W1567784209 isRetracted "false" @default.
- W1567784209 magId "1567784209" @default.
- W1567784209 workType "article" @default.