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- W1569365572 abstract "Attempts to reframe critical study of early medieval storytelling by applying media theory and specifically videogame studies; as well as reframe videogame studies by grounding it in the deep and old tradition of oral storytelling. By suggesting a new conception for our understanding of ‘play’ as an embodied, rule-bound and amusing activity that takes place both within linear time and yet outside the bounds of ‘reality,’ we can consider folktales and videogames to be strikingly similar media in their formal composition. Both folktales and videogames operate with the logic of ‘database,’ occupied with elements, possibilities, building blocks, and world-building. Interactors with these media then ‘play’ the database, creating a narrative from the possibilities. Thus another feature of what I call “open-database storytelling” is that it blurs the line between author and audience that was established through the premodern era by media like the printing press. Videogames, then, do not merely conflate author/audience; they represent a return to a style of storytelling before the idea of ‘author’ and ‘copyright’ was established, a style found in early medieval storytelling." @default.
- W1569365572 created "2016-06-24" @default.
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- W1569365572 date "2012-01-01" @default.
- W1569365572 modified "2023-09-27" @default.
- W1569365572 title "From 'Epic' to 'Epic Win': Play and performance as open-database storytelling in pre- and postliterate media" @default.
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