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- W1569374531 abstract "Self-consciousness in prose fiction—metafiction—was not invented yesterday.' John Barth, one of its champions in America, himself readily concedes its unoriginality, albeit hyperbolically and with tongue-in-cheek, as is his nature: Self-conscious, vertiginously arch, fashionably solipsistic, unoriginal—in fact a convention of twentieth-century literature. Another story about a writer writing a story! What such playful exaggeration does effectively point out is that, while the self-consciousness of much of today's prose fiction does not itself break new ground in the field of literature, in the history of man (which is nothing if not a history of consciousness), self-consciousness, specifically linguistic (and literary) self-consciousness, has never been so prevalent as in the present century: it has engulfed not only literature, but also history, philosophy, and the social or human sciences. The new focus is heralded by Jacques Derrida as follows: However the topic is considered, the problem of language has never been simply one problem among others. But never as much as at present has it invaded, as such, the global horizon of the most diverse researches and the most heterogeneous discourses, diverse and heterogeneous in their intention, method, and ideology. John Barth's work in the field of prose fiction, from this perspective, does not stand alone, but can be tied to parallel developments in other fields, and can in effect be considered as one manifestation of a broader and more general problematic." @default.
- W1569374531 created "2016-06-24" @default.
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- W1569374531 date "1984-06-06" @default.
- W1569374531 modified "2023-09-23" @default.
- W1569374531 title "Literature, Self-Consciousness, and Writing: The Example of Barth's Lost in the Funhouse" @default.
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