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- W1570889583 abstract "Before the informal remark and the formal lecture and the published article, man must have formulated in various non-verbal ways his criticism of his creative efforts—by a hurled stone, a pout, a popping of the eyes, a shaking of the head or shrug of the shoulders, a puzzled frown, a clapping of the hands. Certainly men were critical long before they began writing critical articles for journals and making critical statements in museum and college lecture-halls. We have, however, come to equate criticism of the arts with verbal criticism of the arts, so that when someone mentions literary or art criticism we think of writers and, to a lesser extent, of speakers of art criticism. This is entirely natural, in view of the permanency of criticism recorded in language as contrasted with the ephemeralness of gestures and other non-verbal signs in a culture in which the print ing press and library are as significant as they have become in ours. The recording apparatus of Western civilization snares a far greater proportion of verbal impressions and judgments than of non-verbal. Moreover, the flexibility and latitude of meaning seemingly possible in verbal critical statements is so impressive that the critical mind, par ticularly if it is working new and uneven territory, will turn more readily into the verbal channel. And the consequently vaster and more attended-to bulk of spoken and written criticism further obscures any potential value in other forms of criticism; the great quantity and prestige of recorded verbal criticism in Western Europe and America during the past two hundred years have contributed to the easy taking-for-granted that serious criticism of the arts, both visual and literary, would necessarily be spoken or written. And for a long time this assumption has, by and large, been sound. Traditionally, normally, the critic of the arts or literature in our culture has used words to set forth his principles and make their applications. When he has noted a connection between two works by an artist, he has put his observation in some such way as this:" @default.
- W1570889583 created "2016-06-24" @default.
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- W1570889583 date "1962-01-01" @default.
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- W1570889583 title "Visual Criticism: A New Medium for Critical Comment" @default.
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