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- W1571592232 abstract "In the Foreward to the HarperPerennial edition of Sylvia Plath's posthumous collection of poetry, Ariel, poet Robert Lowell briefly though lyrically recounts his memories of Plath, who attended his poetry seminar at Boston University in October of 1958 (Hayman xvii). 1 It is poignant, Lowell writes, looking back, to realize that the secret of Sylvia Plath's last irresistible blaze lies lost somewhere in the checks and courtesies of her early laborious shyness (xv). Like many before and after him, Lowell, in his dreamy and elevated remembrance of her living presence, contributes to the mythologizing of Sylvia Plath – a victimized martyr to some, a psychologically unstable wife and mother to others. Clearly, Lowell falls among Plath's supporters, choosing to view her as somewhat of a mysterious, bashful heroine. Likewise, beyond Lowell's sympathetic reading of Plath's character, many critics and readers uphold a fierce idolization of Plath. Accordingly, this trend composed the first wave of Plath criticism – branding the poetess as a martyr in order to support later generations' demand for gender equality (Jackson 128). At the other end of the myth's spectrum, which is inevitably rooted in a more banal view of Plath's life and work, she is generally judged by her actions, inactions, and hyper self-reflexivity. With her life publicized and her personal relationships primed for dissection, Plath has become heavily mythologized by readers all over the globe: the facts of her life are used both in defense and in denigration of her value as a literary figure. 2" @default.
- W1571592232 created "2016-06-24" @default.
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- W1571592232 date "2012-09-23" @default.
- W1571592232 modified "2023-09-26" @default.
- W1571592232 title "Finding Plath's Voice" @default.
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