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- W1572135835 abstract "This article engages in the close textual analysis of Christopher Nolan’s Insomnia (2002) within the context of the psychoanalytic translation of trauma, especially in relation to the psychoanalytic notion of nachtraglichkeit. I suggest that the film, despite the prevailing climate of academic and critical disregard, can be considered one of the key films in his body of work to engage with the experience of time and the effects of traumatic memories. Using the specific analysis of the opening sequence, I propose a complex interpretation of Insomnia’s narrative logic that is predicated on the structural principles underlying the mechanisms of time and traumatic memory. Specifically, the film draws attention to the process of constructing the past out of the present, demonstrating a reversal of the cause and effect relation inherent in time’s arrow. I suggest that the key to understanding Insomnia’s structural relationship to trauma and memory resides in comprehending a cinematic deception that Nolan induces in the spectator from the outset of the film." @default.
- W1572135835 created "2016-06-24" @default.
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- W1572135835 date "2015-12-31" @default.
- W1572135835 modified "2023-09-26" @default.
- W1572135835 title "9. Revisiting the Scene of the Crime: Insomnia and the Return of the Repressed" @default.
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- W1572135835 doi "https://doi.org/10.7312/furb17396-012" @default.
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