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- W1574241583 abstract "That Walter Pater was very much a herald of many of the new interests and techniques which dominate twentieth-century literature has been largely obscured by the tendency to discuss him only in the context of the eighties and nineties. However, the oversimplifica tion and historical inaccuracy involved in dating the inception of the fin de siecle English movement from the publication of Pater's The Renaissance has become increasingly obvious as the litera ture of the late nineteenth century receives closer examination. In particular, the two impressively phrased doctrines most often cited from the famous Conclusion as the essence of the decadent spirit were already part of the intellectual and psychological currency of literate and cultured England. First, the doctrine of 1'art pour l'art having been asserted, defended, interpreted, and reinterpreted in France at least since Gautier provided the phrase in 1835, no Englishman inter ested in the literature of the day could have failed in some way to become acquainted with it. And secondly, the theme of the brevity of life and the consequent necessity of making the most of the joys of this world had been becoming increasingly insistent in English litera ture, and especially poetry, for a number of years prior to the ap pearance of The Renaissance. Examples are to be found among the best-known poems of the time, most clearly perhaps in Fitzgerald's Rubdiyat (1859) and Swinburne's Hymn to Proserpine (1866). And it has too often been forgotten that the Conclusion itself was first published, in 1868, as the closing portion of a review of Morris's poetry written by Pater for the Westminster Review, the thoughts developed there arising out of the continual suggestion, pensive or passionate, of the shortness of life in Morris's work.1 Pater's reputation would seem to have arisen largely from the clarity with which he combined two already current preoccupations, pro posing his interpretation of the doctrine of art for art's sake as the most satisfactory means of reconciling oneself to that universal process of change the most disturbing evidence of which was the" @default.
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- W1574241583 date "1964-01-01" @default.
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- W1574241583 title "Pater as Prophet" @default.
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