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- W15772413 abstract "Opened in Brazil is a collection that includes 30 lyric and prose poems, and six short short fiction pieces. This writing intermingles in the manuscript, which is carefully divided by two pauses. The title is taken from a line in the Brazil poem “The Cliffs”, and, along with providing an image of movement, was chosen to hint at what might be generalised as a type of imaginative South American fiction. The writing in Brazil is particularly visual, and attends closely to the quickly changing weather of the Blue Mountains where most of the writing was drafted. Brazil also attends to the movement of sunlight on a surface as a way of uncovering an aesthetic truth, and as a way of sensually illuminating the complexity, colour and delicacy of intimacy (particularly an intimacy with books and reading). Beneath the surface of love, silliness, cinema and colour, Brazil also focuses on visual and text aesthetics, and the art of making. I elaborate on these subtle, ambiguous and idiosyncratic aesthetics in a reflective critical essay called “Mark Rothko, Marquez, Motion and the Mooncalf: Metaphors for an Idiosyncrasy of Aesthetic Influence on the Manuscript Opened in Brazil”. The writing of David Brooks (in particular), including his fragmented story “The Mooncalf”, and the cover of his book Black Sea, surprisingly offer metaphors for the nuances involved in Brazil’s genesis. There seems a sunlight quality to my writing, which is an opposite of what might be described as a light-absence quality in Brooks’. I expand on this using a shared interest in the paintings of Mark Rothko. Brooks and Rothko are two examples of a number of idiosyncratic influences which range from a writer’s voice, a range of images, the shape of text itself and a complex intermingling of image, voice and text." @default.
- W15772413 created "2016-06-24" @default.
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- W15772413 date "2007-01-01" @default.
- W15772413 modified "2023-09-27" @default.
- W15772413 title "OPENED IN BRAZIL" @default.
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