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• W1581230207 abstract "The late 19 century was a time when England was seen from the outside as musically unoriginal. The music community was active, certainly, but no English composer since Handel had reached the level of esteem granted the leading continental composers. Leading up to the turn of the 20 century, though, the early stages of a musical renaissance could be seen, with the rise to prominence of Charles Stanford and Hubert Parry, followed by Elgar and Delius. By 1910, the work of Ralph Vaughan Williams—particularly, the large choral works Toward the Unknown Region and A Sea Symphony—was beginning to be performed in England. Vaughan Williams had studied composition at the Royal College of Music, was in constant correspondence with Gustav Holst, and had even studied in Paris with Maurice Ravel in 1908, but composed in a style that was quite different from that of his teachers. The young Englishman was forthright and personable, both traits that are consistently manifested in his music. He wrote music for the people—art music, yes, but for general consumption, not for a handful of musical elite. Rather than biblical texts, he preferred poets like Walt Whitman, whose use of language demonstrates the same honesty and humanism that characterizes Vaughan Williams’ music. He collected folk tunes and edited the 1906 English Hymnal, and took both tasks seriously; he believed in the importance of folk music that came from the people, and of congregational singing. His choral works, when compared to those of composers working earlier and in parallel, showed a significant shift in style, treating the choir with a new kind of musical seriousness. This newer music did not follow accepted continental guidelines, instead forging a new democratic aesthetic in which the music and the text held equal value, and the work was to be appreciated by all. For my family, for teaching me to think, ask questions, and love music. Introduction Vaughan Williams and the Choral Idiom 3 Part One Early Life, Education, and England 7 Part Two Hubert Parry, Vaughan Williams, and Toward the Unknown Region 22 Part Three Toward the Sea Symphony 31 Conclusion Farther, farther sail 50 Appendix 53 • Bibliography 57" @default.
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• W1581230207 title "The Development of English Choral Style in Two Early Works of Ralph Vaughan Williams" @default.
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