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- W1583764809 abstract "I begin an article on the anatomical theater of Andreas Vesalius and Shakespearean public theater with a discussion of Othello, that play in which knowledge, skepticism, and the body articulate an inti mate and destructive association. In Disowning Knowledge in Six Plays by Shakespeare, Stanley Cavell proposes to study the imagination of the body's fate under skepticism.2 Cavell's reading of Othello is part of what he calls thinking of tragedy as a kind of epistemological problem, or as the outcome of the problem of (Cavell 126). For Cavell, the problem of knowledge for Othello consists of his refusal to accept the unacceptable: not that Desedemona is faithless, but that she is faithful (Cavell 133). Desdemona's faithfulness, Cavell argues, determines Othello's own failing; her finitude (her bodily separateness which she would erase by offering her virginity) marks Othello's own separateness, his own dependence. Othello's skepti cism comes finally to reside in the inadmissable fact of his own fini tude:" @default.
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- W1583764809 date "1993-01-01" @default.
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- W1583764809 title "Vesalius' Fabrica and Shakespeare's : Anatomy, Gender and the Narrative Production of Meaning" @default.
- W1583764809 hasPublicationYear "1993" @default.
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