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- W1588893764 abstract "As a high-modernist of the twentieth century, Alfred Hitchcock intensively displayed the disruptions or failures of human cognition and representation through various experimental narrative techniques. His film texts challenge any ideas of certainty, suspend any phallic attempts to find a fixed meaning, and thus require us to re-think what we read and what we see, with regard to what does not appear in them. This paper investigates how Hitchcock’s cinematic modernism goes alongside Lacan’s work dedicated to explore the traumatic gap immanent in the subject and the symbolic system. In Lacanian terms, the surplus of the Real that ex-sists as the radically emptied site in the Symbolic exactly coincides with the radical exteriority of the subject’s “self.” Like Delta as “the in and beyond,” the non-symbolizable object-cause ex-sists with-in the subject’s innermost core, something “in the subject more than the subject itself.” Beyond identification and subjectivization, it is where the subject’s narcissistic illusion of autonomy and self-awareness, the notion of the self-transparency of consciousness, and western traditional ocularcentrism are traversed. In Hitchcock’s films which problematize the Cartesian cogito, the radical alterity and exteriority with-in the subject is demonstrably of the question “Che vuoi?” and the Lacan’s notion of the gaze which subverts the narcissistic perspective of the I and the Eye, the self of Western consciousness. Making the claim that these themes are best elaborated through reading of Hitchcock’s Spellbound (1945), I examine the film mainly focusing on how the woman Constance unmasks the hidden truth of J. B. and leads him to the rupture, the empty void, of his being; how it can be linked to the notion of the gaze which cuts through the Eye (the I) and thus opens up the narcissistic enclosure of the Cartesian cogito; and, thus, how it leads J. B. to the feminine (in Lacanian sense) space of ek-stasis / ek-sistence. Particularly, to read how the ex-centric empty site beyond representation is depicted in the film, I explore the last scene of the famous Dali’s dream sequence, in relation to the notions of woman, gaze, and the question “Che vuoi?” in psychoanalytic terms." @default.
- W1588893764 created "2016-06-24" @default.
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- W1588893764 date "2013-03-01" @default.
- W1588893764 modified "2023-09-24" @default.
- W1588893764 title "Che Vuoi? Beyond the Cartesian Space in Alfred Hitchcock’s Spellbound" @default.
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